I Was A Middle Aged Writer

April 12, 2010

“My” Sci-Fi

Filed under: Uncategorized,writing — danielrdavis @ 6:56 pm
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Today I’ve decided to talk about the type of sci-fi I enjoy. It’s the same sci-fi I like to write. And that’s space opera. Not what they call the “New Space Opera,” but space opera as defined by the following description:

“adventure science fiction set in outer space or on distant planets, where the emphasis is on action rather than either science or characterization. The conflict is heroic, and typically on a large scale. “

However, this does not mean that I want wooden characters. I want fully fleshed out characters, characters with depth. The characters have to be the driving force of the story.

I think that there’s some confusion about just which is which subgenre. The “New Space Opera” is an attempt, I believe, to add hard science into space opera and it frankly doesn’t work for me. There’s a place for hard science, it’s called Hard Sci-Fi, as defined thus:

“characterized by rigorous attention to accurate detail in quantitative sciences, especially physics, astrophysics, and chemistry, or on accurately depicting worlds that more advanced technology may make possible. “

However, once again, this is not to say that I don’t at least want some realism in the story. The basics are fine though. The vacuum of space is deadly with no protection and an object in motion will remain that way until acted on by an opposing force, be that running into something or retro/attitude thrusters. A black hole is something you don’t want to get caught in the gravitational pull of. I’m not all that interested in knowing that Bob is on a planet that has an extra four hours in the day or that the gravity is 1.6 instead of Earth normal and therefore everything he does is more exhausting. It’s alright if it’s there, but it should be there for flavor and not detract in the slightest from the story itself. If he’s on a planet where it’s the middle of the night and he’s used to being awake during that time because that’s the time he’s used to for his daylight hours, then I don’t have a problem with him not being able to sleep, unless it starts becoming distracting to to the enjoyment of the story.

I don’t need to know how a technology works to have fun reading the story. I don’t need to know that it’s theoretically possible for the technology to work based on our still limited science knowledge today. In my humble opinion, this is why it’s called fiction. Lightsabers work and kill people, hyperdrives can go 1.5 times past light speed without making them travel back in time, lasers cut nice cauterized holes in the unprotected and make them quickly dead, ships explode (at least until the oxygen is eaten away) in the vastness of space. Folding space tech and wormhole generators are commonplace.

These things are what’s actually made me run for the romance genre recently. Unless I want to go and find used copies of the more traditional space opera sci-fi written in the past, I’m reading sci-fi romance. Besides, there’s nothing wrong with ’em, unless you have embarrassment issues over the romance aspects or some puritanical religious issues. Nearly everything I’ve picked up that’s new space opera novels are part of the “New Space Opera,” much of which I feel I need a degree in the above listed “quantitative” sciences to get. I don’t get that with sci-fi romance. I get the story first. The basics are still there, but it doesn’t get in the way of the story itself and bog me down in minutae.

“If there is a book that you want to read, but it hasn’t been written yet, then you must write it.” — Toni Morrison

Truer words… This is why I write the type of sci-fi I do. Because I’m not finding it. And if the publishers are pushing the hard science angle, then I’ll write it for Romance publishers. I’m not a big fan of the EU (extended universe) novels for Star Wars or Star Trek or Battlestar. I don’t really want to read the same universe. I want something fresh. I want a different setting. I want space battles, heroes, villains, lasers, FTL travel, wormholes, singularity generators, terraforming, space explosions, planet killers, aliens, mayhem, and perhaps a happy ending or two. I want good and evil AND shades of gray (yeah you can also use an “a”), I want three dimensional characters, heroes that are also real people who may not always do what’s right to survive.

In essence, I want space opera.

The “New Space Opera”

I’ve read some of this lately and a story shouldn’t have me saying, “bu-wha…?” and wanting to chuck the book out the door. It shouldn’t make me feel stupid or that I’m underpriveleged because I didn’t have the time or money to go and earn a degree in quantum physics so that I could understand the book. I actually hate that I can’t even look up the term “space opera” anymore to find the types of stories I want to read.

There’s a veritable minefield of hard science space opera novels out there nowadays. And of those, a great number of novels that leave me feeling unfulfilled for my fiction fix. I’m just now starting to delve into the sci-fi genre after years of reading fantasy and I’m a big fan of the classics of the space opera subgenre. However, I’ve already seen/read Star Wars, Star Trek, Battlestar and Farscape. There’s been some decent EU novels in those settings and I’ve read some, but I want new settings now.

And a side note: A story doesn’t have to move slower than molasses in a cold house in winter to have political intrigue or span multiple novels. I’m actually testing novels before I buy by getting library copies first. And it’s a good thing. I’ve picked up a couple novels that I would have wanted my money back on if I’d bought them.

Still, I have stumbled onto some good stuff while trying to sift through the chaff, so to speak and foremost on that list has been Alastair Reynolds’ novels. To date he’s done a fantastic job of adding some hard science elements without giving me the ??? moments. He’s good at explaining just enough without taking it too far and killing the story at the expense of explanation or description. I found his Minla’s Flowers short story in one of those “New Space Opera” anthologies. Truly a needle in a haystack. Minla’s Flowers was actually the only story in the anthology I did like. So I found his Zima Blue and other Stories anthology and liked every short story in there. So, I took a chance on Revelation Space from the library. Now I have Revelation Space, Redemption Ark and Absolution Gap coming from Borders (I will support a writer I like by buying their titles). I await them with bated breath. I have an older trilogy coming from them as well by CJ Cherryh. I didn’t test this one first, but some of the negative reviews from Amazon actually helped me decide to get it. 😉 We’ll see.

So anyway, other than a rambling description of what I like in sci-fi I guess I’ll end with this:

There’s a place for every type of sci-fi and fans for every type as well. And if you can’t find the type of sci-fi you’re looking for, write it. And if one type of sci-fi publisher isn’t buying what you want to read it’s not what’s currently the trend, find those that are and run with it.

And if anyone wants to add their favorite space opera authors here, let me know what you like about them and I’ll look them up. I’m in the market, so to speak.



March 24, 2009

Writing Work, Writing, and Waiting

Filed under: writing — danielrdavis @ 9:41 pm
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A number of things to gab about today.  The first is that I’m revising a film script, officially, like for money.  I’m rather happy about this because it’ll be the first official rewrite I’ve done.  It should take me about two weeks to finish the rewrite, provided that’s all I work on, which means my other projects are on hold.  I won’t go into what the script is about, but it will be interesting.  I’ve sent them the first 5 pages to make sure they want me to do it.  After that I’ll give them a price.  It won’t be much because they don’t have much of a budget and one of my acquaintances is helping produce it so I’ll likely give him a deal.

Next order of business, being a writer.  This is something I touched on somewhere else in another discussion, but I’ve been thinking about it for a while.  I am a writer.  I consider myself a writer.  I always have.  Some opinions are that you aren’t considered a writer until you actually complete something.  Honestly, I have completed a few things; short stories mostly, but I have completed some things.  Even when I hadn’t I still always considered myself a writer, and there’s a reason for this.

To coin a phrase from Throw Momma From The Train, A writer writes, always.  I’m not sure if someone else said it first, but it’s very true, no matter who said it.  Whether it’s an essay, a short story, a novel, script, or even a blog, a writer is always writing something.  They can’t help it.  It’s a compulsion.  When we’re not trying to write the next great novel we’re blogging about it.  When we’re not blogging about it we’re trying to finish the next short story or the next script.  When we’re not doing that we’re trying to compose the perfect letter of inquiry to best sell what we’ve written.  It’s never-ending.  And we have to do it.  I think there’s something in our genetic makeup that makes us want to do it, no matter how frustrating it is at times.

It has noting to do with the possibility of money (from what many authors say it’s likely we won’t ever make more than some extra comfort money).  It’s usually not about fame, though some do like the fans who do end up coming to their book signings, no matter how few there may be.  We have a story to write, a tale to tell, and we feel the need to tell it.  Will I be like those writers they show in movies that write a bestseller and and suddenly move on up to that deluxe apartment in the sky?  Probably not.  Will I get a mansion and get to hang out with movie stars and other bestselling and more famous authors?  Likely, no.  What I will do is tell my tale, obstacles bedamned.  And yes, I will sit down with the finished novel and read the thing, I’m silly like that.

This is also why I have no problem with self-publishing.  Some would say that if you are only into writing novels as a hobby then it’s fine to self-publish, but I’m not 100% in agreement.  Others say that you’re just a wannabe writer/novelist if you cop out and self publish, but again, I can’t agree.  If you’re willing to put in the time, effort, legwork and money to sell your tale then self-publishing may work for you.  After all, to be quite honest, from what I’ve heard the publishing company isn’t even really going to promote your book, unless you are one of those few who hit a massive bestseller that sells a million copies out of the gate.  Sure, they’ll put your books in big chains like B&N or Borders and such, but it’s still up to you to promote it, no matter what shelf it ends up on.  And, on top of all that, they get the lion’s share of your hard work.  So far, I’m not seeing the incentive.

However, It would be awesome to say you’ve been picked up by this company or that company and book deals for a number of novels or a number of years, etc.  That brings stability.  You know your next book will be picked up.  There’s also definitely appeal in saying you went the route of various other authors and got accepted.  It’s a feeling like you’re now with the “in-crowd,” secret handshake forthcoming.  You can get to meet and make friendships or acquaintances and connections with various people in the publishing industry and also learn a bit about how things are done as well.  This, I feel would be a good thing for a writer.  Still, if you want the bulk of the money you make for your writing, you’re not likely to get it through mainstream publishing, so I’ve heard.

Now, before I go farther and people start calling me a staunch defender of people who aren’t good enough to make it in the mainstream market (yep, I’ve heard that line before), keep in mind that a good deal of the money you get for your books while self publishing will most likely go back into promotion (the books won’t sell themselves, no matter how good the story may be), travel, and POD company payments.  And unless you go with a company like Lightning Source, you’re also most likely not going to get your novel in mainstream stores like B&N and Borders.  Honestly, in self publishing (another reason why I can’t agree with it being a hobby) you’re going to have to do even more legwork to get yourself out there than you would if you were picked up by a publishing company.  So that right there shows a certain level of dedication to your craft beyond it just being a hobby.

Either way you go, do it with eyes open and dedication to getting it done.  If you’re 100% behind it and willing to go the distance to get there, you’re much more likely to succeed.

So anyway, a writer writes.  A novelist or author, however, has finished something that’s as close as they can get it to a publishable product.  And there’s where I draw the distinction.  There’s the difference.  You’re a writer because you write, but you’re a *novelist* when you finish that next great novel and it’s out of your head and onto the page from start to finish.  And no matter what approach you take to publish it, it’s your heart and soul, a piece of you that you poured and sometimes tore out and placed onto the page.  Don’t let anyone degrade or denounce that because of their own beliefs.  Because opinions are like buttholes. Everyone has one and thinks everyone else’s stinks.

Now onto another bit of news.  I heard recently that my RPG supplement will be out soon.  Well, it was said that it would be this quarter, but this quarter is nearly over with no sign, so I’m dubious.  This is the supplement that took a lot of research and time to make and I’ve been waiting to see in book form for the past couple years now.  Before I created that supplement I knew a little bit about pirates.  Now I know far more than anyone who is not a scholar or historical reenactor should have to.  It’s an awesome book and I hope it will be well received, but it has to come out first.  I’m ready for closure on that front.  I hope it’s soon.

And with that we’re done.  The next post will most likely be about the trials and tribulations of rewriting a film script, but that’s for another time…approximately two weeks or so from now.


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